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Op-Ed: Visibility Isn’t Credibility: DJ Akademiks and the Journalistic Line in Hip-Hop
The first time I heard DJ Akademiks crown himself the “number one hip-hop journalist,” I laughed. Not a quiet laugh either—a real one....
Apr 2
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The Mixtape Era Ain’t Over: Dom Kennedy’s Timeless Run Revisited
Dom Kennedy is back outside. After more than five years away from the road, the Leimert Park rapper is launching his "Class of '95" tour...
Mar 24
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Editorial: Why Suno’s CEO Doesn’t Get Musicians—And Why That Matters
When I first heard Suno CEO Mikey Shulman’s comments about music-making not being enjoyable, my first thought was: this guy has never...
Feb 12
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Editorial: Another Way to Create Something Unique is Look Globally
In today’s music world, it’s easy to feel like the internet has already broken every barrier for artists. You’ve got platforms like...
Jan 17
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Blurring Genres: Our Favorite Indie Crossover Tracks of 2024
In 2024, the lines between genres have become more fluid than ever. Crossover Records —a term we’ve chosen to define these tracks—exists...
Dec 30, 2024
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19Keys: A Visionary Voice for Our Time
Backstage at the Majestic Theatre in Dallas, the energy was electric. The hum of equipment being packed up filled the dressing room as a...
Dec 21, 2024
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Op-Ed: Kendrick Lamar’s Subtle Argument for the Greatest of All Time on GNX
In a genre where confidence and bravado are almost prerequisites, Kendrick Lamar has always operated differently. His humility and...
Dec 18, 2024
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Op-Ed: High Volume vs. High Impact: A Fan’s Perspective on Hip-Hop’s Release Strategies
Hip-hop has always been a culture of evolution. While the streaming era has amplified certain trends, the creative divide between...
Dec 18, 2024
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How Canvas Makes the SoundsLikeWater A.I. P.R. Tool an Artist's Best Ally
At The Wave , we understand how crucial storytelling is for artists, producers, and music managers striving to make their mark. In...
Dec 12, 2024
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